Demo · simulated dataViewing as Sofia

Friday, 13 November

Good afternoon, Sofia.

Your world, a little bigger. Since Tuesday your agent has found seven things worth a look, three of them beyond this network. One started as a web result and turned out to be a member here.

Studio · BerlinOn this network · verified

You should know Orbita Studio.

Their recent work on spatial audiovisual systems overlaps with your exploration of generative sound environments. Your backgrounds are different, but your approaches could complement each other.

How your agent found them

Explored the web for studios working with generative installations, because of Resonant Spaces.
Found Orbita Studio’s site, orbita.studio, and their project Spatial Dialogues.
Identified a verified profile on this network with the same official domain.

Open their profile on the network Why this?

People you might want to meet

Suggested for what you could explore together, not for jobs.

Person · Amsterdam, NetherlandsOn this network

Leon Weber

Creative Researcher & Computational Artist

Why this was suggested

Suggested for interdisciplinary exchange: Leon uses generative systems for space and performance, while you use them for sound. His live visual scores for dancers relate directly to Open Score.

Found on this network

Person · Lisbon, PortugalOn this network

Inês Carvalho

Musicologist, researcher in graphic scores

Why this was suggested

Your recent post on graphic notation as a live system touches the same question her research asks: how performers read and decide inside an open score.

Found on this network

Organizations worth exploring

Collective · Berlin, GermanyOn this network · verified

Nachtfeld Collective

Audiovisual art collective

Why this was suggested

They regularly program live audiovisual performance, which is where Open Score is heading. They are also based in Berlin.

Found on this network

Studio · Berlin, GermanyExternal discovery

Halbton Studio

Audiovisual design studio

Why this was suggested

Their real-time projection work for theatre is close to how you think about live, responsive systems.

Source: halbton-studio.de

Beyond your network

Public opportunities found on the web. These organizations have no profile here, so you can save them or visit the original source.

Residency · EuropeExternal discovery

Signal Field Residency

Artist residency for sound and technology

Why this was suggested

Their focus on interdisciplinary sound and technology projects matches the direction of Resonant Spaces and Open Score.

Source: signalfield-residency.eu

Event · Graz, AustriaExternal discovery

Open Notation Symposium

Two-day symposium on notation and technology

Why this was suggested

Open Score is exactly the kind of tool their call for demos describes.

Source: open-notation.at

Because of your recent work

Your post · 2 days ago

“I've been exploring how graphic notation can become a live, interactive system rather than a static document.”

Added “experimental notation” to your context

From your network

Waiting for you · introduction request

Tomás Rey

Live coder & event organizer · Barcelona, Spain

You both build tools for live performance. Tomás runs a live-coding night and is curious about Open Score as a performance interface.

Update · 1 week ago

Jonas Albrecht

Sound engineer, spatial audio

Back from a week of tuning an 8-channel system in a concrete stairwell. The reverb tail is longer than some of the pieces.